Ratatouille
So, let’s talk about Ratatouille! I mean the typeface family, not the food.
Ratatouille was cooked up in Paris, summer 2025, but the “kid” who made it has been nourishing the dream of Paris since 2007 — the year Ratatouille (Pixar’s film) was released. With a deep love for animated films, I knew my typeface had to feel friendly, expressive, and absolutely CUTE!
The design is based on a humanist ductus blended with brushstroke energy, rounded corners, and something I like to call a “rocking-horse serif”. These elements give the texture a sense of motion and warmth. I primarily designed it for children’s designs, especially animated films and storybooks.
Now, let’s take a look at the menu, shall we? Depending on your taste, you can pick from 4 styles and 14 different weights: “Oh la la! Fantastic!”
What makes my Ratatouille extra special? It’s a fusion of a French home-cooked dish and a young Vietnamese dream. So of course, it supports the entire Vietnamese alphabet, including tone marks and diacritics, across ALL weights and main 3 styles!
Whether you’re designing for a storybook, a film title, or anything that needs a little heart — Ratatouille’s ready to serve. Bon appétit, mes amis!
The 6-week type design programme that you’ve been waiting for starts on 3 June and ends 11 July 2025
Our summer programme is in English and covers typeface design and calligraphy techniques, type history, and software practices. Every kind of design professional can learn about type design in a relatively short amount of time.
➼ Be ready for Summer26.
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